Monday, July 19, 2010
lest you judge me for my caffeine intake
There is a drip of dried beige paint on the cinderblock wall next to your right arm. You dimly acknowledge that taking notice of paint irregularities means you’re sufficiently awake to brush your teeth. Lump of weighty potatoes that you are, you flop gracelessly out of your bunk. Ergh. You stare down at your toes, blurry pink blobs, half-surprised to note that they are holding you up. It turns out you still have bones. And muscles. Somewhere in there, you have muscles.
You stumble down the hallway, tugging absently at your blue camisole. The door to the bathroom weighs more than you do, surely. You look down at your face wash and then up at the mirror.
Good. Lord.
The hair.
The entire left side of your head has dried in spiky straight porcupine lines, each wild tuft perpendicular to the skull from which it springs. The right side is such a poofy mass of curly reddish weeds that it might just be hiding a small animal. You grimace.
Then you grunt (womanishly, but with no sensible word-like sounds) at the perfectly well-coifed seventh grader who is staring at you incredulously with a toothbrush in her mouth.
Happy Monday. Let's celebrate with enormous quantities of coffee. Deal?
Monday, July 12, 2010
"she puts her hands against / the life she had"
To speak plain, I have finished my job. I am working in a one-month summer intensive program. And after that, I have no idea. No job. But my heart is open and clear, and I know who I am. Perhaps I will write more here, because I am no longer afraid of writing my way into truths I cannot face.
Goodnight, friends. I have missed you. And I have missed myself. But I am back.
Wednesday, March 24, 2010
10 good things
Right now, I want to make a list of good things. There are always so many, and I rarely count them. Here are a few from the past two days:
- a recipe for roasted pears from this cookbook
- watching my brother sing Ricky Martin at karaoke
- daffodils just beginning to break through our tough front yard soil
- reminiscing about CFFC, the Caley family alterna-Halloween
- reading for fun
- all the hugs and high-fives students gave each other yesterday as they began their state standardized tests
- yellow tulips in vases all over the house
- friends who are always there, and to whom you don't need to explain yourself
- learning about micro-expressions
- having an extremely light work week (because of MCAS testing) coincide with visits from Amos and Sarah
Tuesday, March 23, 2010
recycling
Monday, February 8, 2010
a glimpse into my very specific place in the universe
Friday, January 15, 2010
best of 2009 challenge, much too late
Strange to think that for $1000, I can transport myself almost anywhere in
the world, and can be there in under a day... You know, I'm rather proud of
myself -- finances aside -- for dreaming of what I might want to do this
summer, researching it, and making it happen. I suppose few would take
such a leap solo.
Then we found infinite little chocolates and waffles (glaces), topped with
vanilla ice cream, whipped cream, and chocolate ganache. Heavenly. Really. Worth
the trip alone. Then we sat down on a sidewalk just off the Grand Place (loveliest square I've ever seen, gilded, with such overwhelmingly intricate carving that you want to collapse, fall to your knees and weep with the force of it all -- all the
brilliance and creative energy and skill and hope.) We watched another string
trio playing classical music on the sidewalk opposite, while slight Asian women
joined the throngs who ran their hands (sensuously) along the polished statue of
a saint, a man who tried to save Russian villages by importing chickens (I
think), Okay, so the story is muddled a bit. Anyway, it was a perfect moment.
Really perfect. So rare in this life, these.
Monday, January 4, 2010
decades
Thus I enter the second decade of this millennium: unceremoniously, sprawled flat on my stomach, sleepy and catlike before the fireplace at my aunt’s house (with errant bits of firewood jabbing irregular pink indentations into the skin beneath my jeans), willfully closing my eyes and ears to the tedious countdown of Carson Daly, surrounded not by friends or music or wine, but by curly-haired children and knitting grandparents and sparkling white juice (because red might stain the carpet).
This is also the year of my third decade, and every conversation I begin with old friends seems to acknowledge this specter bearing down, undecided about how to relate to such an occasion. We scan the pages of popular magazines, more interested in ages than in formalwear. Alexis Bledel is 29? If we’re the same age as Rory Gilmore, all is not lost. But we are not, we conclude, as we expected. Not at all. Even for those who pictured themselves married with children and find themselves acknowledging that this womanhood feels differently than any might have guessed… it feels. Perhaps the internal life of these years could not have been anticipated, nuanced weft to the fabric of reality which for me finds voice better now in Anne Sexton than in Ann Kiemel. So much of that exuberant faith-infused girlishness has been eroded by something wistful that stands on the plain unforgiving ground of questions.
I seek answers to so many questions; I try to chase after them, as if Great Truth might be found in a Viennese pastry shop or a Parisian burlesque, hiding in darkened temples along the Trans-Siberian railway, or even in an admirable Boston charter. There are truths here, yes. Still, many of the answers I long for are slippery ones, stamped softly on my own heart, but which take evasive action when I try to claim them too casually. I still puzzle around, Who or what am I? What and why is my womanhood, if it is not wife and mother? What of my own destiny do I carry along with me in my brain, my memory, my stubborn hair, my small hands, my place before the fire?
I try to read the runes of home videos – giggling five-year old nonsense rhymes with my brother, blocking his access to the trampoline, claiming I only want it for “a hundred more minutes,” and the tall, braided girl who curled up and wiggled loose teeth on her quiet twinkling bearded grandfather’s lap long after her body failed to fit. Petulance, affection, fearlessness. I cringe to watch my eleven-year old self, ashamed as I was at my height and roundness, trying to deflect attention from the hips that filled out hand-me-down stonewashed pleats by perming my bangs, walking carefully, softly. I watch my gentleness, and I read the shame of my sex beneath it. “You were always a lady,” my mother tells me.
A lady, she says, though was I not so often jealous of the solitude and competence that seemed available only to men?
Home videos tell such an uneven tale, patchy ordinary moments pieced into holy peculiarity… the past delivered up as a beautiful foreign film with no subtitles.
My body whispers stories, too. My hands are my mother’s. Though I smooth their planes with shea butter each day, by noon a thousand distinct skin trapezoids peer up at me. I could paint them large, in bright colors and plaster my walls with the perplexing geometry of a personalized mid-century modern. My no-nonsense knuckles, broad on child-sized fingers, make the hands look sturdier and more practical than they are, good for dishes and kneading. I can close my eyes and flash a thousand screens of my mother standing in front of our kitchen sink, speaking words that memory fuses… about pie crust, perhaps, or practicing the piano, or waiting, waiting, having faith that someone special might come along. Yes, I have my mother’s hands, and her fingernails -- round inverted gumdrops, flat on their beds and long, long. I scale their gentle ridges, playing each smooth moon against its cousins. I can close my eyes and trace the graceful lines my mother’s long nails drew down my back as I lay on my stomach in bed so many childhood nights...that calm, blissful moment of connection after the night’s story had closed and before the evening prayer. Delicate strokes from the beautiful nails on her practical mother hand. I am here with you, they said to me.
I do not know what meaning I should make of it all, how these fragments tell me of what is and may be. But I do know this: so often I still find myself with my arms curled beneath me, flat on my stomach in the space between the story and prayer, back exposed, with my mother's fingernails fixed on my own hands now, ready.
